Category: Performance

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Christie Pitts Park, Toronto
Bloor St. W. between Christie St. and Crawford St. @ Christie Station
Rain or shine! Earplugs available!!

Presented by Feminist Art Gallery (F.A.G) and FADO Performance Art Centre

Conducted by Calgary-based artist Wednesday Lupypciw, QUEER NOISE SOLIDARITY (QNS) is a gigantic experimental noise event. One dozen drummers, each with their own kit, will occupy the space between the baseball field and the wooded area in Christie Pits Park where they raise the racket of their percussional superjam to the outer limits of the stratosphere over 3 different, intense sessions. The drummer’s sound vibrations expand into political/intentional realms, as well as psychic/aesthetic zones, like ripples in a pond.

Inspired by the roles that feminists play in developing community solidarity across many social justice trajectories including the LGBTQI2S, feminist, anti-racist and anti-poverty movements, QUEER NOISE SOLIDARITY also blows the roof off the traditionally dude-dominated art world of rock n’ roll.

QNS is a queer feminist project. QNS is proudly matronized by FADO Performance Art Centre.

THE DRUMMERS [* Not all the drummers identify as female]
Alaska B
Celina Carrol
Heidi Chan
Tyla Crowhurst-Smith
Karen Frostitution
Laura Hartley
Eleanor King
Samara Liu
Rita McKeough
Conny Nowé
Shavonne Tovah Somvong
Simone TB *

ABOUT FEMINIST ART GALLERY
The Feminist Art Gallery (F.A.G.) is a response, a process, a site, a protest, an outcry, an exhibition, a performance, an economy, a conceptual framework, a place and an opportunity. We host we fund we advocate we support we claim. The Feminist Art Gallery is our geographical footprint located in Toronto, Canada and run by Allyson Mitchell and Deirdre Logue. F.A.G. does not depend on formal funding sources nor will it ever be tied to one government or corporate controlling purse string. Instead, F.A.G. has created a web of matronage whereby people contribute to a pool of resources insuring that artists will always be paid for exhibiting their work. 

Thanks to Johnson Ngo and Heidi Cho for their energy gettin’ it done.

FADO Performance Art Centre was pleased to support the artists who presented their work in Pi*llOry Part 3 and Part 4.

ARTISTS
Sadie Berlin
lo bil
Simla Civelek
Nicole Lynn Deschaine
Madeleine Lychek
Tess Martens
Sheri Osden Nault
[ field ] (Coman Poon & Brian Smith)
Randa Reda
Amber Helene Müller St. Thomas
Holly Timpener
Johannes Zits

Pi*llOry is an event for Queer, BIPOC and Feminist performers to show case their work, focusing on trauma. Pi*llOrists are examining how we personally and politically dismantle heteronormative hegemony and engage in healing that puts an end to the repetition of communal trauma. Pi*llOry’s performers are liberating queer bodies as a primary agency that can harness the transformative power of presence, space, politics, shame and (dis)/ability while refracting their infinite incarnations. Pi*llOry’s artists renounce the binary and traditional gender roles, they not only create new ones for themselves, but give space for others to create their own as well. Through oral, visual and visceral mediums, Pi*llOry explores the depths of fragmented gender/queer identity, pushing beyond labels and classifications. On the edge of complete uncertainty, with only the already structural, limited and bound ways of description and discrimination of queerness, Pi*llOrists arm themselves with the unknown to disrupt inherited historical trauma invoking a lasting communal cultural healing.

Pi*llOry would like to thank FADO for their sponsorship and support of Pi*llOry part three and four.

Pi*llOry on Instagram
Pi*llOry on Facebook

This program of performance works is an accompaniment to the exhibition Native Art Department International: Bureau of Aesthetics at Mercer Union, on view October 14–31, 2020.

In the final weeks of their exhibition, Native Art Department International (NADI) and FADO Performance Art Centre are facilitating a series of performance (and other) interventions in the space of NADI’s exhibition at Mercer Union.

Created by participants working in a variety of disciplines including performance, dance, music and martial arts, these activations demonstrate NADI’s commitment to kinship and their desire to build solidarity through forms of collaboration that promote non-competition. Each performance is privately executed and the documentation of each gesture will live on the websites of [FADO Site] and [Mercer Union Site]. This approach speaks to the adaptive methodologies of artists and institutions alike to consider how the pandemic environment impacts the practice and presentation of performance art. Here, the perennially debated theories concerning liveness dissolve for a timely discussion around intimacy, kinship and support; tenets that are fully embodied within the ethos and history of performance work.

êkâya-pâhkaci [ee-guy-uh-puck-a-chee] (don’t freeze up)

êkâya-pâhkaci operates through an intersection of nomadic site-specificity, visual patterning, language, narrative, movement and rhythm. In this work the artist stages a performance presented under an adaptable traveling tent from where she relates and offers information to the audience using her body, voice and graffiti/tagging. The audience, by proximity and in accepting her invitation to witness her activities “comes in from the cold” and becomes part of her “camp.”

Presented in the context of the imagineNATIVE Film + Media Art Festival

Performance: October 16 @ 8:00pm
Installation viewing: October 16 @ 12:00pm–6:00pm
Toronto Free Gallery, 1277 Bloor Street West, Toronto

Faculty of Art Speaker’s Series: An Evening with Cheryl L’Hirondelle
October 15, 2008 @ 6:00pm
Ontario College of Art & Design, 100 McCaul Street, Toronto

Curated by Paul Couillard

Cellu(h)er Resistance: The Body with/out Organs? is an epic 5-day performance-as-installation process piece by Toronto artist, educator and cancer survivor, Pam Patterson. The work combines sound, drawing, action, video and collaborative writing examining the artist’s body, the body with disease and the body without organs. 

“After decades of dis-ease and illness, the pain of poverty, dis-ability and being reconfigured by surgery my hands now make another body for my body. . . there are sounds, images, becomings. . . it is accomplished the moment I undertake it. It isn’t the case that the body/I like(s) pain per se; rather, the body/I like(s) being a Body without Organs, and the pain is the price the body/I is/am willing to pay for that.” ~Pam Patterson

Co-presented with XPACE Cultural Centre

Opening Performance
February 27, 2008 @ 8:00pm
58 Ossington Avenue, Toronto

Performance-as-Installation
Open daily from 12:00pm–6:00pm
58 Ossington Avenue, Toronto

Final Performance Action
March 2, 2008 @ 6:00pm
58 Ossington Avenue, Toronto

Presented by Blank Slate with support from the 7a*11d International Festival of Performance Art.

Curated by Istvan Kantor

Life=Art=Life is designed to be an exploratory forum evaluating the past and present trends of performance art in the context of everyday life. Under the auspices of Blank Slate, the weekend event will bring together local and international artists and theorists to present and discuss their work.

The artists include local tableau-vivant diva, Louise Liliefeldt; art-action ambassador Richard Martel from Québec City; writer, professor and Dr. of destruction and art theory Kristine Stiles from North Carolina; and self-declared non-artist Tehching Hsieh from New York City forever famous for his one year performances. Among guests at the Sunday panel discussion will be One Night Only, a Regina based performance art collective, in Toronto for their event Home Repair hosted by FADO. The six members of the group are Adam Budd, Felipe Diaz, Blair Fornwald, Tanis Keiner, Tammy McGrath, and Anna Scott.

Today it seems to us, that performance art, as a rebellious and revolutionary force, has completed its mandate by infiltrating every aspect of life. The life=art=life theory, historically supported by the avant garde, has never been more relevant than today.

If it is true that performance art, as a social engine and generator of change, has accomplished its mission, then what is its’ place in current artistic activities and everyday life?Blank Slate hosts forums for discussions, critical talks, conferences, workshops and interdisciplinary events, conducted in a non-intimidating environment. Participants are encouraged to freely express their ideas concerning today’s artistic activities, new trends, theoretical issues and practical methods. The purpose of Blank Slate is to encourage everyone in the exploration of creative ideas and critical thinking, blending together science, technology, philosophy, politics and art.

ABOUT BLANK SLATE
The first Blank Slate event took place in 2003 and was marked by the world famous blackout that put Blank Slate into the right track of enlightening discussion. Since, Blank Slate has hosted ten Discussion cocktail events with local and international artists and has co-operated with performance art agency Fado Perfomance Inc. Participants have included action-artist Gusztav Uto from Transylvania, Canadian Art editor Richard Rhodes, artist stand-ups Shawna Dempsey and Lorri Millan from Winnipeg, avant-garde legends Eldon Garnet and Istvan Kantor, Toronto Arts Council visionary Jim Garrard, emerging local talents Maria Legault, Jennifer Matotek and Beth McEachen. The Blank Slate strategy based on the practical doctrine that life is a collective social sculpture and everyone is an artist/constructor/architect. This is event is supported by the Canada Council for the Arts, and coordinated by Istvan Kantor and Karen Schreiber.

February 20, 2004 @ 7:30pm
Karen Schreiber Gallery, Toronto
Performances by Louise Liliefeldt, Richard Martel

February 20, 2004 @ 10:00pm–dawn
Polish Canadian Legion No.621, 2290 Dundas Street West, Toronto
Performances/Videos/DJ featuring Ulysses Castellanos, Marlee Cargill, Lewis Kaye, Machinesexactiongroup and others.

February 21, 2004 @ 7:30pm
Karen Schreiber Gallery, Toronto
Performances by Tehching Hsieh, Kristine Stiles

February 22, 2004 @ 2:00pm
Karen Schreiber Gallery, Toronto
Panel discussion with the artists from One Night Only, Life=Art=Life